Flights of Fancy
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/flights-of-fancy/thumbs/thumbs_fomcardfront.jpg"]
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/flights-of-fancy/thumbs/thumbs_flights-001.jpg"]
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Left: 1978, Jane Ventura. Evening dress of white crepe with jet bead trim at bodice and horizontal rows of black coq feathers. Right: 1971, Jane Ventura. Evening dress of white tucked nylon trimmed with pearls, rhinestones, and white marabou feathers at neckline and sleeves; skirt of white goose feathers trimmed with marabou feathers at hem.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/flights-of-fancy/thumbs/thumbs_flights-019.jpg"]
Left: 1969, Unknown designer. Cocktail dress of brown silk chiffon trimmed with egret feathers and a brown satin bow. Right: 1985, Victor Costa. Short evening dress of silver lame and sequined lace with ostrich feather skirt and matching boa. [img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/flights-of-fancy/thumbs/thumbs_flights-005.jpg"]
Right: 1975, Jane Ventura. Evening dress of white silk jersey trimmed at bodice and hem with white hackle feathers with matching cloche hat. [img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/flights-of-fancy/thumbs/thumbs_flights-011.jpg"]
Left: 1966, Pauline Trigère. Cocktail dress and matching cape of off-white organdy and black silk chiffon trimmed in black marabou. Right: [img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/flights-of-fancy/thumbs/thumbs_flights-012.jpg"]
From left to right c. 1977, Hubert Givenchy. Evening dress of cream chiffon with matching cape trimmed with ostrich plumes. 1975, Louise Gartner. Cocktail dress with a skirt of black ostrich feathers and matching cashmere sweater beaded with black sequins. 1985, Hubert Givenchy. Evening dress of black velvet and patterned silk gazar with black coq feather trim. 1930, Unknown designer. Evening dress of black silk chiffon with a caplet trimmed in black ostrich feathers.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/flights-of-fancy/thumbs/thumbs_flights-016.jpg"]
1976, Jane Ventura. Custom made evening ensemble of peacock feathers. There are additional matching skirts in a knee-length and a floor-length hem that can be combined with a matching shell and boa. Worn to the 1976 Emmy Awards in Los Angeles.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/flights-of-fancy/thumbs/thumbs_flights-040.jpg"]
Left: 1963, Ferdinando Sarmi. Evening dress of orange and yellow print chiffon in multiple layers with a bodice of bronze coque feathers. Right: 1976-1978, Mary McFadden. Evening dress of black pleated polyester silk, paired with a multi-colored feather bolero jacket, which displays McFadden's love of multi-ethnic cultures. The dress is from her first collection in 1976 using Fortuny-inspired pleated synthetic silk which she called “Marii” and patented in 1975.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/flights-of-fancy/thumbs/thumbs_flights-004.jpg"]
2004, Roberto Cavalli. Evening dress of a blush pink body suit covered in Swarovski crystals with a sweeping train of pink ostrich feathers tipped in black.
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/flights-of-fancy/thumbs/thumbs_flights-001.jpg"]
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/flights-of-fancy/thumbs/thumbs_flights-002.jpg"]
Left: 1978, Jane Ventura. Evening dress of white crepe with jet bead trim at bodice and horizontal rows of black coq feathers. Right: 1971, Jane Ventura. Evening dress of white tucked nylon trimmed with pearls, rhinestones, and white marabou feathers at neckline and sleeves; skirt of white goose feathers trimmed with marabou feathers at hem.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/flights-of-fancy/thumbs/thumbs_flights-019.jpg"]
Left: 1969, Unknown designer. Cocktail dress of brown silk chiffon trimmed with egret feathers and a brown satin bow. Right: 1985, Victor Costa. Short evening dress of silver lame and sequined lace with ostrich feather skirt and matching boa. [img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/flights-of-fancy/thumbs/thumbs_flights-005.jpg"]
Right: 1975, Jane Ventura. Evening dress of white silk jersey trimmed at bodice and hem with white hackle feathers with matching cloche hat. [img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/flights-of-fancy/thumbs/thumbs_flights-011.jpg"]
Left: 1966, Pauline Trigère. Cocktail dress and matching cape of off-white organdy and black silk chiffon trimmed in black marabou. Right: [img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/flights-of-fancy/thumbs/thumbs_flights-012.jpg"]
From left to right c. 1977, Hubert Givenchy. Evening dress of cream chiffon with matching cape trimmed with ostrich plumes. 1975, Louise Gartner. Cocktail dress with a skirt of black ostrich feathers and matching cashmere sweater beaded with black sequins. 1985, Hubert Givenchy. Evening dress of black velvet and patterned silk gazar with black coq feather trim. 1930, Unknown designer. Evening dress of black silk chiffon with a caplet trimmed in black ostrich feathers.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/flights-of-fancy/thumbs/thumbs_flights-016.jpg"]
1976, Jane Ventura. Custom made evening ensemble of peacock feathers. There are additional matching skirts in a knee-length and a floor-length hem that can be combined with a matching shell and boa. Worn to the 1976 Emmy Awards in Los Angeles.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/flights-of-fancy/thumbs/thumbs_flights-040.jpg"]
Left: 1963, Ferdinando Sarmi. Evening dress of orange and yellow print chiffon in multiple layers with a bodice of bronze coque feathers. Right: 1976-1978, Mary McFadden. Evening dress of black pleated polyester silk, paired with a multi-colored feather bolero jacket, which displays McFadden's love of multi-ethnic cultures. The dress is from her first collection in 1976 using Fortuny-inspired pleated synthetic silk which she called “Marii” and patented in 1975.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/flights-of-fancy/thumbs/thumbs_flights-004.jpg"]
2004, Roberto Cavalli. Evening dress of a blush pink body suit covered in Swarovski crystals with a sweeping train of pink ostrich feathers tipped in black.
Painting the Town: 1920s High Style
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/painting-the-town-1920s-high-style/thumbs/thumbs_painting-the-town-poster.jpg"]
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/painting-the-town-1920s-high-style/thumbs/thumbs_highresimagespress.jpg"]
Date: 1917-1920 Opera cape of light gold satin with white fur at neckline. Embellished with metallic gold elongated scallop trim sewn on in a larger scalloped pattern.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/painting-the-town-1920s-high-style/thumbs/thumbs_highrespressimg.jpg"]
Jacket of black silk. Long sleeved jacket drapes around the shoulders creating folds down the front. Voluminous sleeves drape to create openings at upper arms. Lines of disk shaped metal buttons embellish the neckline and narrow wrists. Reproduction pants.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/painting-the-town-1920s-high-style/thumbs/thumbs_orange-dress.jpg"]
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/painting-the-town-1920s-high-style/thumbs/thumbs_highresimagespress.jpg"]
Date: 1917-1920 Opera cape of light gold satin with white fur at neckline. Embellished with metallic gold elongated scallop trim sewn on in a larger scalloped pattern.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/painting-the-town-1920s-high-style/thumbs/thumbs_highrespressimg.jpg"]
Jacket of black silk. Long sleeved jacket drapes around the shoulders creating folds down the front. Voluminous sleeves drape to create openings at upper arms. Lines of disk shaped metal buttons embellish the neckline and narrow wrists. Reproduction pants.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/painting-the-town-1920s-high-style/thumbs/thumbs_orange-dress.jpg"]
Promenade of Style
Exhibition at Fashion on Main, September 26- December 19, 2008
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/promenade-of-style/thumbs/thumbs_picture6.jpg"]
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/promenade-of-style/thumbs/thumbs_picture7.jpg"]
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/promenade-of-style/thumbs/thumbs_picture8.jpg"]
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/promenade-of-style/thumbs/thumbs_picture9.jpg"]
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/promenade-of-style/thumbs/thumbs_picture7.jpg"]
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/promenade-of-style/thumbs/thumbs_picture8.jpg"]
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/promenade-of-style/thumbs/thumbs_picture9.jpg"]
Inspired by Balenciaga
Exhibition at Fashion On Main, April 18th- June 22, 2007
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/inspired-by-balenciaga/thumbs/thumbs_april-19-fom-07-003.jpg"]Exhibition at Fashion On Main, April 18th- June 22, 2007
Photo by Bix Barentine[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/inspired-by-balenciaga/thumbs/thumbs_fom-april-25-2007-002.jpg"]Exhibition at Fashion On Main, April 18th- June 22, 2007
Photo by Bix Barentine[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/inspired-by-balenciaga/thumbs/thumbs_fom-april-25-2007-007.jpg"]Exhibition at Fashion On Main, April 18th- June 22, 2007
Photo by Bix Barentine[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/inspired-by-balenciaga/thumbs/thumbs_fom-april-25-2007-008.jpg"]Exhibition at Fashion On Main, April 18th- June 22, 2007
Photo by Bix Barentine[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/inspired-by-balenciaga/thumbs/thumbs_fom-april-25-2007-012.jpg"]Exhibition at Fashion On Main, April 18th- June 22, 2007
Photo by Bix Barentine[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/inspired-by-balenciaga/thumbs/thumbs_fom-april-25-2007-016.jpg"]Exhibition at Fashion On Main, April 18th- June 22, 2007
Dress by Norman Norell compared to photograph panel of a dress by Cristobal Balenciaga. Photo by Bix Barentine[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/inspired-by-balenciaga/thumbs/thumbs_fom-april-25-2007-021.jpg"]Exhibition at Fashion On Main, April 18th- June 22, 2007
Photo by Bix Barentine
Photo by Bix Barentine[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/inspired-by-balenciaga/thumbs/thumbs_fom-april-25-2007-002.jpg"]Exhibition at Fashion On Main, April 18th- June 22, 2007
Photo by Bix Barentine[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/inspired-by-balenciaga/thumbs/thumbs_fom-april-25-2007-007.jpg"]Exhibition at Fashion On Main, April 18th- June 22, 2007
Photo by Bix Barentine[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/inspired-by-balenciaga/thumbs/thumbs_fom-april-25-2007-008.jpg"]Exhibition at Fashion On Main, April 18th- June 22, 2007
Photo by Bix Barentine[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/inspired-by-balenciaga/thumbs/thumbs_fom-april-25-2007-012.jpg"]Exhibition at Fashion On Main, April 18th- June 22, 2007
Photo by Bix Barentine[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/inspired-by-balenciaga/thumbs/thumbs_fom-april-25-2007-016.jpg"]Exhibition at Fashion On Main, April 18th- June 22, 2007
Dress by Norman Norell compared to photograph panel of a dress by Cristobal Balenciaga. Photo by Bix Barentine[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/inspired-by-balenciaga/thumbs/thumbs_fom-april-25-2007-021.jpg"]Exhibition at Fashion On Main, April 18th- June 22, 2007
Photo by Bix Barentine
Balenciaga and His Legacy at the Meadows Museum
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/balenciaga-and-his-legacy-at-the-meadows-museum/thumbs/thumbs_balenciaga1.gif"]
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[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/balenciaga-and-his-legacy-at-the-meadows-museum/thumbs/thumbs_balenciaga3.gif"]
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/balenciaga-and-his-legacy-at-the-meadows-museum/thumbs/thumbs_balenciaga4.gif"]
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[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/balenciaga-and-his-legacy-at-the-meadows-museum/thumbs/thumbs_balenciaga3.gif"]
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Reflections: Work by Michael Faircloth
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/reflections-work-by-michael-faircloth/thumbs/thumbs_1-copy.jpg"]
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/reflections-work-by-michael-faircloth/thumbs/thumbs_dscn0020-copy.jpg"]
Left: 2007, Evening dress of green silk with sequins and rhinestone leaf motif. Worn to the University of North Texas Presidential Inauguration Ceremony by University President Gretchen M. Bataille. Right: 2000, Evening dress of teal cut silk velvet embellished with turquoise beads and silver sequins. Worm by Mrs. Laura Bush to the 2001 Presidential Inaugural Festivities at the White House. [img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/reflections-work-by-michael-faircloth/thumbs/thumbs_dscn0023-copy.jpg"]
Left: 2002, Straplesss evening gown of iridescent red-orange silk with diamond medallion adorning skirt. Center: 1996. Evening dress of brown silk crepe, elaborately beaded on back and bodice in red floral motif. Worn by H.R.H. Princess Madawi Mohammed. Right: 2005. Evening dess of beige silk with hand beading in gold and silver sequins and ostrich feather trim. [img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/reflections-work-by-michael-faircloth/thumbs/thumbs_dscn0025-copy.jpg"]
Left: 2000, Evening gown of black silk faille; strapless bodice with a draped skirt and elliptical hem. Shrug of black silk faille. Center: 2005, Evening gown of amethyst double-sided silk satin with a strapless bustier and chocolate suede applique at the hem. Seated: 2006, Evening dress of pale blue silk chiffon with a draped asymmetrical bodice and obi sash. Far right: 2004, Evening dress of black cashmere and pale blue silk zibeline with black raffia hand embroidery in a floral motif. [img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/reflections-work-by-michael-faircloth/thumbs/thumbs_dscn0032-copy.jpg"]
Left: 2000, Evening gown of red silk zibeline with fuchsia and red hand embroidery in a floral motif. Center: 2004, Evening gown of black silk and wool with a textured yarn back and draped skirt with train. Right: 1997, Evening dress of red silk duchess satin. Embellished with red beaded hearts.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/reflections-work-by-michael-faircloth/thumbs/thumbs_dscn0054-copy.jpg"]
From left to right: 2006, Evening gown of gold silk duchess satin with hand beading and embroidery on bodice. 1994, Bridal gown and train of silk brocade and silk duchess satin with hand beading and embroidery in a floral motif. 2006, Cocktail dress in draped white silk crepe embellished with antique silver lace side panels and sleeves. 2002, Bridal gown of ivory silk chiffon with hand embroidered leaf motif of silver and gold rhinestones and pearls.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/reflections-work-by-michael-faircloth/thumbs/thumbs_dscn0066-copy.jpg"]
From left to right: 2000, Ensemble of turquoise wool boucle. Worn to the Presidential Inaugural Swearing-In Ceremony and Parade, 2001. 1998, Suit of winter white double woven wool crepe with princess tailoring. Worn by Laura Bush during her tenure as First Lady of Texas. 1999, Suit of brown chashmere and wool bird's eye weave with matching skirt. Worn by Mrs. Laura Bush for a Vogue magazine article.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/reflections-work-by-michael-faircloth/thumbs/thumbs_faircloth_1-copy.jpg"]Sketches by Michael Faircloth, 2000
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/reflections-work-by-michael-faircloth/thumbs/thumbs_faircloth_3-copy.jpg"]Sketches by Michael Faircloth, 2000
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/reflections-work-by-michael-faircloth/thumbs/thumbs_faircloth_2-copy.jpg"]Sketches by Michael Faircloth, 2000
Evening dress of red Chantilly lace with hand beading. Official inaugural gown of Mrs. Laura Bush. This dress is now part of the Smithsonian's First Ladies Collection.
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/reflections-work-by-michael-faircloth/thumbs/thumbs_dscn0020-copy.jpg"]
Left: 2007, Evening dress of green silk with sequins and rhinestone leaf motif. Worn to the University of North Texas Presidential Inauguration Ceremony by University President Gretchen M. Bataille. Right: 2000, Evening dress of teal cut silk velvet embellished with turquoise beads and silver sequins. Worm by Mrs. Laura Bush to the 2001 Presidential Inaugural Festivities at the White House. [img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/reflections-work-by-michael-faircloth/thumbs/thumbs_dscn0023-copy.jpg"]
Left: 2002, Straplesss evening gown of iridescent red-orange silk with diamond medallion adorning skirt. Center: 1996. Evening dress of brown silk crepe, elaborately beaded on back and bodice in red floral motif. Worn by H.R.H. Princess Madawi Mohammed. Right: 2005. Evening dess of beige silk with hand beading in gold and silver sequins and ostrich feather trim. [img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/reflections-work-by-michael-faircloth/thumbs/thumbs_dscn0025-copy.jpg"]
Left: 2000, Evening gown of black silk faille; strapless bodice with a draped skirt and elliptical hem. Shrug of black silk faille. Center: 2005, Evening gown of amethyst double-sided silk satin with a strapless bustier and chocolate suede applique at the hem. Seated: 2006, Evening dress of pale blue silk chiffon with a draped asymmetrical bodice and obi sash. Far right: 2004, Evening dress of black cashmere and pale blue silk zibeline with black raffia hand embroidery in a floral motif. [img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/reflections-work-by-michael-faircloth/thumbs/thumbs_dscn0032-copy.jpg"]
Left: 2000, Evening gown of red silk zibeline with fuchsia and red hand embroidery in a floral motif. Center: 2004, Evening gown of black silk and wool with a textured yarn back and draped skirt with train. Right: 1997, Evening dress of red silk duchess satin. Embellished with red beaded hearts.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/reflections-work-by-michael-faircloth/thumbs/thumbs_dscn0054-copy.jpg"]
From left to right: 2006, Evening gown of gold silk duchess satin with hand beading and embroidery on bodice. 1994, Bridal gown and train of silk brocade and silk duchess satin with hand beading and embroidery in a floral motif. 2006, Cocktail dress in draped white silk crepe embellished with antique silver lace side panels and sleeves. 2002, Bridal gown of ivory silk chiffon with hand embroidered leaf motif of silver and gold rhinestones and pearls.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/reflections-work-by-michael-faircloth/thumbs/thumbs_dscn0066-copy.jpg"]
From left to right: 2000, Ensemble of turquoise wool boucle. Worn to the Presidential Inaugural Swearing-In Ceremony and Parade, 2001. 1998, Suit of winter white double woven wool crepe with princess tailoring. Worn by Laura Bush during her tenure as First Lady of Texas. 1999, Suit of brown chashmere and wool bird's eye weave with matching skirt. Worn by Mrs. Laura Bush for a Vogue magazine article.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/reflections-work-by-michael-faircloth/thumbs/thumbs_faircloth_1-copy.jpg"]Sketches by Michael Faircloth, 2000
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/reflections-work-by-michael-faircloth/thumbs/thumbs_faircloth_3-copy.jpg"]Sketches by Michael Faircloth, 2000
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/reflections-work-by-michael-faircloth/thumbs/thumbs_faircloth_2-copy.jpg"]Sketches by Michael Faircloth, 2000
Evening dress of red Chantilly lace with hand beading. Official inaugural gown of Mrs. Laura Bush. This dress is now part of the Smithsonian's First Ladies Collection.
Egyptian Elegance
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/egyptian-elegance/thumbs/thumbs_egyptian-lobby-card-back-final.jpg"]
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/egyptian-elegance/thumbs/thumbs_egyptian-elegance-2.jpg"]
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/egyptian-elegance/thumbs/thumbs_egyptian-elegance-11.jpg"]
Date and designer unknown. Strapless dress of chartreuse and turquoise green gossamer-like fabric. Gathered and pleated bust wraps around to back and joins material which cascades down the back of the dress. Chartreuse top fades into turquoise green at mid-section and back into chartreuse at thigh.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/egyptian-elegance/thumbs/thumbs_egyptian-elegance-10.jpg"]
1960, Unknown designer. Dress of ivory knit covered with gold netting.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/egyptian-elegance/thumbs/thumbs_egyptian-elegance-5.jpg"]Oscar de la Renta
Loungewear of black, blue and ivory silk consisting of three garments, robe, pants and short sleeve top of black, blue and ivory silk. [img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/egyptian-elegance/thumbs/thumbs_egyptian-elegance.jpg"]
Right: 1970-1975, George Halley. Dress of finely pleated navy blue silk chiffon.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/egyptian-elegance/thumbs/thumbs_zz2.jpg"]
From left to right: Date and designer unknown. Strapless dress of chartreuse and turquoise green gossamer-like fabric. Date and designer unknown. Dress of royal blue textured silk. Date unknown, Oscar de la Renta. Loungewear of black, blue and ivory silk. Date unknown, Ralph Rucci. Dress of pale peach silk crepe. Stole of light brown fading into white, silk chiffon.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/egyptian-elegance/thumbs/thumbs_egyptian-elegance-3.jpg"]
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/egyptian-elegance/thumbs/thumbs_egyptian-elegance-2.jpg"]
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/egyptian-elegance/thumbs/thumbs_egyptian-elegance-11.jpg"]
Date and designer unknown. Strapless dress of chartreuse and turquoise green gossamer-like fabric. Gathered and pleated bust wraps around to back and joins material which cascades down the back of the dress. Chartreuse top fades into turquoise green at mid-section and back into chartreuse at thigh.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/egyptian-elegance/thumbs/thumbs_egyptian-elegance-10.jpg"]
1960, Unknown designer. Dress of ivory knit covered with gold netting.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/egyptian-elegance/thumbs/thumbs_egyptian-elegance-5.jpg"]Oscar de la Renta
Loungewear of black, blue and ivory silk consisting of three garments, robe, pants and short sleeve top of black, blue and ivory silk. [img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/egyptian-elegance/thumbs/thumbs_egyptian-elegance.jpg"]
Right: 1970-1975, George Halley. Dress of finely pleated navy blue silk chiffon.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/egyptian-elegance/thumbs/thumbs_zz2.jpg"]
From left to right: Date and designer unknown. Strapless dress of chartreuse and turquoise green gossamer-like fabric. Date and designer unknown. Dress of royal blue textured silk. Date unknown, Oscar de la Renta. Loungewear of black, blue and ivory silk. Date unknown, Ralph Rucci. Dress of pale peach silk crepe. Stole of light brown fading into white, silk chiffon.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/egyptian-elegance/thumbs/thumbs_egyptian-elegance-3.jpg"]
Minis, Maxis and Mods
Exhibition at Fashion on Main, February 21- May 16, 2008
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/minis-maxis-and-mods/thumbs/thumbs_minis-maxis-mods-evite_page_1.jpg"]Exhibition at Fashion on Main, February 21- May 16, 2008
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/minis-maxis-and-mods/thumbs/thumbs_dscn0134.jpg"]Exhibition at Fashion on Main, February 21- May 16, 2008
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/minis-maxis-and-mods/thumbs/thumbs_dscn0117.jpg"]Exhibition at Fashion on Main, February 21- May 16, 2008
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/minis-maxis-and-mods/thumbs/thumbs_dscn0118.jpg"]Exhibition at Fashion on Main, February 21- May 16, 2008
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/minis-maxis-and-mods/thumbs/thumbs_dscn0127.jpg"]Exhibition at Fashion on Main, February 21- May 16, 2008
From left to right: 1970, Unknown designer. Evening gown of printed silk fabric of black, lime green, and red horizontal stripes at bodice. Skirt is printed op-art design of bright colors. Date unknown, Ron Amey. Pink/multi-colored chiffon and velour dress. 1973, Hanae Mori. Floor-length green chiffon gown with beading and sequins. 1965, Rudi Gernriech. Lime green knit jumpsuit with black and white polka dot print wool crepe tunic.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/minis-maxis-and-mods/thumbs/thumbs_dscn0119.jpg"]Exhibition at Fashion on Main, February 21- May 16, 2008
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/minis-maxis-and-mods/thumbs/thumbs_dscn0114.jpg"]Exhibition at Fashion on Main, February 21- May 16, 2008
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/minis-maxis-and-mods/thumbs/thumbs_dscn0121.jpg"]Exhibition at Fashion on Main, February 21- May 16, 2008
Center: 1972, Ron Amey. Dress of velvet, burnout velvet, and sheer fabric with metallic detail. Right: 1970, Peirre Cardin. Multi-colored full-length chiffon dress with satin ribbon belt.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/minis-maxis-and-mods/thumbs/thumbs_dscn0129.jpg"]Exhibition at Fashion on Main, February 21- May 16, 2008
Left: 1969-1970, Unknown designer. Maxi paper bridesmaid dress. Right: 1970, Peirre Cardin. Printed silk organza, caftan-style dinner dress. [img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/minis-maxis-and-mods/thumbs/thumbs_dscn0133.jpg"]Exhibition at Fashion on Main, February 21- May 16, 2008
Left: c. 1965, Marie Leavell (label) Dress of black, yellow, and red paisley print silk, heavily beaded with black beads and sequins.
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/minis-maxis-and-mods/thumbs/thumbs_dscn0134.jpg"]Exhibition at Fashion on Main, February 21- May 16, 2008
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/minis-maxis-and-mods/thumbs/thumbs_dscn0117.jpg"]Exhibition at Fashion on Main, February 21- May 16, 2008
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/minis-maxis-and-mods/thumbs/thumbs_dscn0118.jpg"]Exhibition at Fashion on Main, February 21- May 16, 2008
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/minis-maxis-and-mods/thumbs/thumbs_dscn0127.jpg"]Exhibition at Fashion on Main, February 21- May 16, 2008
From left to right: 1970, Unknown designer. Evening gown of printed silk fabric of black, lime green, and red horizontal stripes at bodice. Skirt is printed op-art design of bright colors. Date unknown, Ron Amey. Pink/multi-colored chiffon and velour dress. 1973, Hanae Mori. Floor-length green chiffon gown with beading and sequins. 1965, Rudi Gernriech. Lime green knit jumpsuit with black and white polka dot print wool crepe tunic.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/minis-maxis-and-mods/thumbs/thumbs_dscn0119.jpg"]Exhibition at Fashion on Main, February 21- May 16, 2008
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/minis-maxis-and-mods/thumbs/thumbs_dscn0114.jpg"]Exhibition at Fashion on Main, February 21- May 16, 2008
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/minis-maxis-and-mods/thumbs/thumbs_dscn0121.jpg"]Exhibition at Fashion on Main, February 21- May 16, 2008
Center: 1972, Ron Amey. Dress of velvet, burnout velvet, and sheer fabric with metallic detail. Right: 1970, Peirre Cardin. Multi-colored full-length chiffon dress with satin ribbon belt.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/minis-maxis-and-mods/thumbs/thumbs_dscn0129.jpg"]Exhibition at Fashion on Main, February 21- May 16, 2008
Left: 1969-1970, Unknown designer. Maxi paper bridesmaid dress. Right: 1970, Peirre Cardin. Printed silk organza, caftan-style dinner dress. [img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/minis-maxis-and-mods/thumbs/thumbs_dscn0133.jpg"]Exhibition at Fashion on Main, February 21- May 16, 2008
Left: c. 1965, Marie Leavell (label) Dress of black, yellow, and red paisley print silk, heavily beaded with black beads and sequins.
Child's Play
Exhibition at Fashion on Main, February 19- May 7, 2010
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/childs-play/thumbs/thumbs_possible-cover.jpg"]
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/childs-play/thumbs/thumbs_text-panel-copy.jpg"]
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/childs-play/thumbs/thumbs_child_6.jpg"]
Left: 1880s Boys suit of red wool jacket and pants with red silk blouse. Jacket has military styling including black sailor collar and cuffs. Pants share military styling with ribbon detail along the leg. Sailor inspired children’s clothing is a classic design which began in the late 19th century and is still popular today. Center: 1873 Dress of yellow-brown plaid with black trim at the bottom of the skirts. Cuffs are matching yellow-brown plaid. V-shaped pockets at the hip are decorated with 3 white buttons.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/childs-play/thumbs/thumbs_child_8.jpg"]
Left:1904 Young child’s dress of khaki green jersey cotton. Dress has a sailor inspired appearance. Center: 1910-1919 Button front long sleeved shirt of ivory silk. Shorts of deep brown velvet with large button holes at the waist to fit the buttons on the shirt. Right: 1910 Dress of white, wide ribbed cotton and tape-like lace insets. [img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/childs-play/thumbs/thumbs_child_4.jpg"]
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/childs-play/thumbs/thumbs_child_3.jpg"]
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/childs-play/thumbs/thumbs_child_10.jpg"]
1910 Dress of white, wide ribbed cotton and tape-like lace insets; dress has high round collar, elbow length sleeves. Drop waist has a band of flat cotton with vertical cuts and a pink satin ribbon woven through and tied in a bow at the front. [img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/childs-play/thumbs/thumbs_child_5.jpg"]
Back Left: 1930 Dress of beige silk patterned with brown, yellow, pink and orange squares. Front Left: 1928 Child’s dress of French off white satin with tulle skirt and floral satin ribbon, with cap sleeves. Back Center: 1929 Orange chiffon dress with shirred shoulders and no sleeves, silk trim with jagged finished hem. Right: 1920s Yellow sleeveless chiffon girls dress with 6 layers of flat lace ruffle surrounded by 3 layers of yellow ruffled chiffon at the collar.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/childs-play/thumbs/thumbs_child_1.jpg"]
1950s Small boy’s outfit including white cotton shirt and pale blue cotton matching shorts. This boy’s outfit emphasizes the neat appearance desired in the 1950s with the inclusion of a belt to disguise the buttoned together shirt and shorts.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/childs-play/thumbs/thumbs_child_2.jpg"]
1950s Boy’s suit of medium brown linen jacket and shorts with shirt of off-white and pale green plaid cotton. This boys suit alludes to the strong business man he will become when he grows up.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/childs-play/thumbs/thumbs_child_7.jpg"]
Left: 1950s Dress of blue organza with white stripes. Dress slip of white cotton with tiny scalloped edges. This dress emphasizes a feminine silhouette from a very early age much like 19th century dresses. Right: 1956 Sleeveless knee-length dress of blue, beige, and brown striped machine-washable satin with sash of matching fabric. Dress buttons all the way up the left side.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/childs-play/thumbs/thumbs_child_9.jpg"]
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/childs-play/thumbs/thumbs_text-panel-copy.jpg"]
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/childs-play/thumbs/thumbs_child_6.jpg"]
Left: 1880s Boys suit of red wool jacket and pants with red silk blouse. Jacket has military styling including black sailor collar and cuffs. Pants share military styling with ribbon detail along the leg. Sailor inspired children’s clothing is a classic design which began in the late 19th century and is still popular today. Center: 1873 Dress of yellow-brown plaid with black trim at the bottom of the skirts. Cuffs are matching yellow-brown plaid. V-shaped pockets at the hip are decorated with 3 white buttons.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/childs-play/thumbs/thumbs_child_8.jpg"]
Left:1904 Young child’s dress of khaki green jersey cotton. Dress has a sailor inspired appearance. Center: 1910-1919 Button front long sleeved shirt of ivory silk. Shorts of deep brown velvet with large button holes at the waist to fit the buttons on the shirt. Right: 1910 Dress of white, wide ribbed cotton and tape-like lace insets. [img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/childs-play/thumbs/thumbs_child_4.jpg"]
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/childs-play/thumbs/thumbs_child_3.jpg"]
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/childs-play/thumbs/thumbs_child_10.jpg"]
1910 Dress of white, wide ribbed cotton and tape-like lace insets; dress has high round collar, elbow length sleeves. Drop waist has a band of flat cotton with vertical cuts and a pink satin ribbon woven through and tied in a bow at the front. [img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/childs-play/thumbs/thumbs_child_5.jpg"]
Back Left: 1930 Dress of beige silk patterned with brown, yellow, pink and orange squares. Front Left: 1928 Child’s dress of French off white satin with tulle skirt and floral satin ribbon, with cap sleeves. Back Center: 1929 Orange chiffon dress with shirred shoulders and no sleeves, silk trim with jagged finished hem. Right: 1920s Yellow sleeveless chiffon girls dress with 6 layers of flat lace ruffle surrounded by 3 layers of yellow ruffled chiffon at the collar.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/childs-play/thumbs/thumbs_child_1.jpg"]
1950s Small boy’s outfit including white cotton shirt and pale blue cotton matching shorts. This boy’s outfit emphasizes the neat appearance desired in the 1950s with the inclusion of a belt to disguise the buttoned together shirt and shorts.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/childs-play/thumbs/thumbs_child_2.jpg"]
1950s Boy’s suit of medium brown linen jacket and shorts with shirt of off-white and pale green plaid cotton. This boys suit alludes to the strong business man he will become when he grows up.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/childs-play/thumbs/thumbs_child_7.jpg"]
Left: 1950s Dress of blue organza with white stripes. Dress slip of white cotton with tiny scalloped edges. This dress emphasizes a feminine silhouette from a very early age much like 19th century dresses. Right: 1956 Sleeveless knee-length dress of blue, beige, and brown striped machine-washable satin with sash of matching fabric. Dress buttons all the way up the left side.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/childs-play/thumbs/thumbs_child_9.jpg"]
Convergent Boundaries
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/convergent-boundaries/thumbs/thumbs_img_1414.jpg"]
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/convergent-boundaries/thumbs/thumbs_img_1418.jpg"]
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/convergent-boundaries/thumbs/thumbs_img_1419.jpg"]
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/convergent-boundaries/thumbs/thumbs_img_1420.jpg"]
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/convergent-boundaries/thumbs/thumbs_img_1421.jpg"]
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/convergent-boundaries/thumbs/thumbs_img_1422.jpg"]
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/convergent-boundaries/thumbs/thumbs_img_1423.jpg"]
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/convergent-boundaries/thumbs/thumbs_img_1424.jpg"]
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/convergent-boundaries/thumbs/thumbs_img_1425.jpg"]
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/convergent-boundaries/thumbs/thumbs_img_1426.jpg"]
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/convergent-boundaries/thumbs/thumbs_img_1427.jpg"]
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/convergent-boundaries/thumbs/thumbs_img_1418.jpg"]
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/convergent-boundaries/thumbs/thumbs_img_1419.jpg"]
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/convergent-boundaries/thumbs/thumbs_img_1420.jpg"]
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/convergent-boundaries/thumbs/thumbs_img_1421.jpg"]
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/convergent-boundaries/thumbs/thumbs_img_1422.jpg"]
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/convergent-boundaries/thumbs/thumbs_img_1423.jpg"]
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/convergent-boundaries/thumbs/thumbs_img_1424.jpg"]
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/convergent-boundaries/thumbs/thumbs_img_1425.jpg"]
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/convergent-boundaries/thumbs/thumbs_img_1426.jpg"]
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/convergent-boundaries/thumbs/thumbs_img_1427.jpg"]
American By Design: The 1950s
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/previous-exhibitions/thumbs/thumbs_carnegie-and-wierle.jpg"]Hattie Carnegie
1950 Dress of red silk faille; wrap front closure; V-neckline with collar.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/previous-exhibitions/thumbs/thumbs_big-group.jpg"]
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/previous-exhibitions/thumbs/thumbs_american_030.jpg"]Claire McCardell
Dress of blue cotton with tiny white check; shirt style dress with white button front, elbow-length sleeves and bow tie belt; mid-length.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/previous-exhibitions/thumbs/thumbs_american_l3.jpg"]Adele Simpson
1955 Dress of white, grey, and coral striped cotton lawn; sleeveless, with drop waist and wide set-in belt with buckle; V-neck front and back.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/previous-exhibitions/thumbs/thumbs_james-and-trigere.jpg"]Charles James and Pauline Trigere
1954-1955 Skirt suit of black wool with cropped jacket and matching skirt; jacket has 3 self-covered buttons at upper portion, and soft, rounded, notched collar; jacket opens in a crescent below buttons; skirt is mid-length. 1950 Coat of dark grey ribbed moire with crystal rhinestone buttons and large, fold-over collar; two side pockets; mid-length.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/previous-exhibitions/thumbs/thumbs_norell-gold-and-galanos.jpg"]Norman Norell and James Galanos
1950-1955 Evening gown of tobacco brown floral embroidered tulle embellished with beads; tulip style full-length gown has spaghetti straps and structured bodice. 1959 Dress of cream white silk chiffon with wide scoop neckline and short sleeves; layered chiffon skirt is gathered at waistline to create a full silhouette; mid-length; attached tie belt is gathered around waist and wraps and folds at front with two wide, fringed ends.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/previous-exhibitions/thumbs/thumbs_american_129.jpg"]Designer Unknown
c. 1950 Evening gown of heavily beaded beige silk satin; empire waist; wide scoop neckline; sleeveless; full-length.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/previous-exhibitions/thumbs/thumbs_american_by_design_in_color_new.jpg"]
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/previous-exhibitions/thumbs/thumbs_textpanelincolorwhiteandpink2_0.jpg"]
1950 Dress of red silk faille; wrap front closure; V-neckline with collar.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/previous-exhibitions/thumbs/thumbs_big-group.jpg"]
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/previous-exhibitions/thumbs/thumbs_american_030.jpg"]Claire McCardell
Dress of blue cotton with tiny white check; shirt style dress with white button front, elbow-length sleeves and bow tie belt; mid-length.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/previous-exhibitions/thumbs/thumbs_american_l3.jpg"]Adele Simpson
1955 Dress of white, grey, and coral striped cotton lawn; sleeveless, with drop waist and wide set-in belt with buckle; V-neck front and back.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/previous-exhibitions/thumbs/thumbs_james-and-trigere.jpg"]Charles James and Pauline Trigere
1954-1955 Skirt suit of black wool with cropped jacket and matching skirt; jacket has 3 self-covered buttons at upper portion, and soft, rounded, notched collar; jacket opens in a crescent below buttons; skirt is mid-length. 1950 Coat of dark grey ribbed moire with crystal rhinestone buttons and large, fold-over collar; two side pockets; mid-length.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/previous-exhibitions/thumbs/thumbs_norell-gold-and-galanos.jpg"]Norman Norell and James Galanos
1950-1955 Evening gown of tobacco brown floral embroidered tulle embellished with beads; tulip style full-length gown has spaghetti straps and structured bodice. 1959 Dress of cream white silk chiffon with wide scoop neckline and short sleeves; layered chiffon skirt is gathered at waistline to create a full silhouette; mid-length; attached tie belt is gathered around waist and wraps and folds at front with two wide, fringed ends.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/previous-exhibitions/thumbs/thumbs_american_129.jpg"]Designer Unknown
c. 1950 Evening gown of heavily beaded beige silk satin; empire waist; wide scoop neckline; sleeveless; full-length.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/previous-exhibitions/thumbs/thumbs_american_by_design_in_color_new.jpg"]
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/previous-exhibitions/thumbs/thumbs_textpanelincolorwhiteandpink2_0.jpg"]
Adrian: Glamour in the Age of Austerity 1940-1947
Exhibition at Fashion on Main, September 10- November 11, 2011
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/adrian-glamour-in-the-age-of-austerity-1940-1947/thumbs/thumbs_adrian-exhibit-jpg-version.jpg"]
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/adrian-glamour-in-the-age-of-austerity-1940-1947/thumbs/thumbs_adrian-text-panel.jpg"]
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/adrian-glamour-in-the-age-of-austerity-1940-1947/thumbs/thumbs_green-suit.jpg"]Unknown Designer
Date: c.1940 Green and rust wool crepe dress with jacket. Dress: straight line silhouette; zipper front with pockets; short sleeves. Jacket: lapel trimmed with rust and gold embroidery[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/adrian-glamour-in-the-age-of-austerity-1940-1947/thumbs/thumbs_orange-dress.jpg"]Unknown Designer
Date: 1939 Bolero of orange crepe with metallic braided detail, and turquoise and orange beaded trim. Dress of taupe and orange crepe with self-detailing at waist.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/adrian-glamour-in-the-age-of-austerity-1940-1947/thumbs/thumbs_adrian-4.jpg"]Designer: Gilbert Adrian
Date: 1947 Woman’s suit of blue-grey pinstripe twill wool.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/adrian-glamour-in-the-age-of-austerity-1940-1947/thumbs/thumbs_adrian-1.jpg"]Designer: David Crystal (manufacturer)
Date: 1942 Dress of brown rayon with white liberty stamp print; shirtwaist style with pleated front, and ¾ length sleeves. Belt of self-fabric backed on off-white leather.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/adrian-glamour-in-the-age-of-austerity-1940-1947/thumbs/thumbs_adrian-3.jpg"]Designer: Gilbert Adrian
Date: 1946 Street suit of gray wool consisting of a jacket and skirt.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/adrian-glamour-in-the-age-of-austerity-1940-1947/thumbs/thumbs_adrian-2.jpg"]Designer: Gilbert Adrian
Date: 1947 Dress of brown crepe skirt and cream colored top with Trompe L’oeil ribbon motif below neckline.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/adrian-glamour-in-the-age-of-austerity-1940-1947/thumbs/thumbs_gallery-1.jpg"]Designer: Gilbert Adrian
Date: 1947 Black chantilly lace evening gown and bolero with cream crinoline.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/adrian-glamour-in-the-age-of-austerity-1940-1947/thumbs/thumbs_adrian-5.jpg"]Designer: Gilbert Adrian
Date: late 1940s The fitted black velvet jacket is encrusted with gold braid/ribbon in a lattice/trellis pattern over the entire surface, with added buttons, cabochons, beads, etc. lavishly sewn over the surface. [img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/adrian-glamour-in-the-age-of-austerity-1940-1947/thumbs/thumbs_adrian-detail.jpg"]Designer: Gilbert Adrian
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/adrian-glamour-in-the-age-of-austerity-1940-1947/thumbs/thumbs_adrian-text-panel.jpg"]
[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/adrian-glamour-in-the-age-of-austerity-1940-1947/thumbs/thumbs_green-suit.jpg"]Unknown Designer
Date: c.1940 Green and rust wool crepe dress with jacket. Dress: straight line silhouette; zipper front with pockets; short sleeves. Jacket: lapel trimmed with rust and gold embroidery[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/adrian-glamour-in-the-age-of-austerity-1940-1947/thumbs/thumbs_orange-dress.jpg"]Unknown Designer
Date: 1939 Bolero of orange crepe with metallic braided detail, and turquoise and orange beaded trim. Dress of taupe and orange crepe with self-detailing at waist.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/adrian-glamour-in-the-age-of-austerity-1940-1947/thumbs/thumbs_adrian-4.jpg"]Designer: Gilbert Adrian
Date: 1947 Woman’s suit of blue-grey pinstripe twill wool.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/adrian-glamour-in-the-age-of-austerity-1940-1947/thumbs/thumbs_adrian-1.jpg"]Designer: David Crystal (manufacturer)
Date: 1942 Dress of brown rayon with white liberty stamp print; shirtwaist style with pleated front, and ¾ length sleeves. Belt of self-fabric backed on off-white leather.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/adrian-glamour-in-the-age-of-austerity-1940-1947/thumbs/thumbs_adrian-3.jpg"]Designer: Gilbert Adrian
Date: 1946 Street suit of gray wool consisting of a jacket and skirt.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/adrian-glamour-in-the-age-of-austerity-1940-1947/thumbs/thumbs_adrian-2.jpg"]Designer: Gilbert Adrian
Date: 1947 Dress of brown crepe skirt and cream colored top with Trompe L’oeil ribbon motif below neckline.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/adrian-glamour-in-the-age-of-austerity-1940-1947/thumbs/thumbs_gallery-1.jpg"]Designer: Gilbert Adrian
Date: 1947 Black chantilly lace evening gown and bolero with cream crinoline.[img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/adrian-glamour-in-the-age-of-austerity-1940-1947/thumbs/thumbs_adrian-5.jpg"]Designer: Gilbert Adrian
Date: late 1940s The fitted black velvet jacket is encrusted with gold braid/ribbon in a lattice/trellis pattern over the entire surface, with added buttons, cabochons, beads, etc. lavishly sewn over the surface. [img alt="" src="http://www.tfc.unt.edu/wp-content/flagallery/adrian-glamour-in-the-age-of-austerity-1940-1947/thumbs/thumbs_adrian-detail.jpg"]Designer: Gilbert Adrian
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